this exquisite disco roughie, paying homage to that sleazy, backroom-disco sound of the boys town gang and skatt bros., is the latest addition to the history clock canon. and ill wager that this is going to be the post-summer smash of the undergrounds counter-cultural disco scene. >cruiser< is a simple, bass loop that grinds and growls like an early weatherall-style groove, beneath some of the most x-rated sociolinguistics that would make even a sailor blush! on the b-side, relaxer is a punchy, proto-house instrumental that sounds like something somewhere between the very early releases on trax and one of those obscure 12? killer dub versions from a mid-80s, uk pop tune

ltd warehouse found! today we unleash upon the masses our second vinyl record >australia ep< by our dear friends easy changes! the duo is known for their creative minimalistic style with lots of field recordings mashed up into funky rhythms. yet again they continue to provide their unique symbiosis of rhythmical patterns with the world of mysterious sounds and dark moods. the core of their music has continued progression, like a story being told with multiple scenarios between the past, present and future life. traveling and touring has influenced the artists and gave them lots of inspiration, which keeps coming back in the beautiful form of music.

first on decks.de !! .
bomb new release from mr sweet n candy - 2 original tracks plus a remix by newcomer sabb from kosovo. these tracks are a driving mixture between techno and tech house. upfront and made for the dancefloor. sweet n candy knows all the old school tricks and mixes it up with his modern & fresh sound.
support by: 2000 and one, andreas henneberg, camea, daniel sanchez, dirty doering, drumcell, dualton, gregor tresher, hugo, joseph capriati, kaiserdisco, konrad black, oliver klein, paco osuna.

easy changes supposed dolls ep is a welcome slice of audio that remains in the sweet spot between clubby-booty-shake and avant-garde-sound-grenade. theres more emphasis on acoustic tones as the sound sources for their audio bending activities. the added acoustic richness is in the service of easy changes love of abstract texture, and heightens a sense of almost tribal funk. will mix in and blow minds.

the song barbra streisand of the new yorkers house duo duck sauce is a dedication to the famous actress. duck sauce is a collaboration between a-track and armand van helden and in the official video you will find a lot of well-known bigwigs. with a great boney m. sample and catchy sounds barbra streisand is a track, which is much coolerthan you suggest from the name!!

support from laurent garnier, sascha dive, reboot, ryan crosson, mr v, rocco, dj gregory, le loup, brothers vibe, djulz, james priestley, ralf gum, alex from tokyo, halo... here comes the new cross-over project from the master of french deep house, mr franck roger! lets go back to the roots of house with him, and when i say house, i mean real, true, phat old school house that comes right from the soul! franck as come up with his most sophisticated work ever, but youll be suprised because its completely spontaneus and elaborated at the same time. the first track is called loosing and believe me you wont get loose on that one, a very chunky and deep new york ride... the second is i wanna say, and franck means it really, its all about the dancefloor, with his futuristic vibe. and then comes heat, and boy you will sweat on that one, this is what we call the perfect definition of house music, between east coast, and west coast. real tone records is proud to start its sixth season with this wicked new project

a divers drop of hardcore beats ranging from dynamic kicks and snares to melody and all aspects in between: promo - concrete combat
have it large!

anime introduces herself to the hardcore worldwide public: here is her first release on traxtorm records, innovation is the guideline of the project.
sounds, vocals, mergers between grooves and elements of various music styles with strong influences from her past as industrial/darkcore producer. her style has already become inspiration for many important hardcore producers and her tracks are already included in the best hardcore compilations worldwide.

on its first installment, claap001 features a collaboration between two of greeces finest exports in house and techno. label owner gummihz and nikola gala offer a 3 tracker thats bound to make floors shake. three wonderful and mature tracks including elements spanning from jazz to ethnic to a total mind trip!

named after the bird that graces the cover of watergates latest mix cd the, >peacock ep< contains all the exclusive tracks from the mix compiled and blended together by club resident lee jones. the a-side is handled by matthias meyer and lee, who team up for a peak-time killer laden with warm chords. this one has already proved itself on watergates main floor by getting butts shaking on multiple occasions. >kreuzberg 61<, musically is clearly inspired by lees experiences in watergate and his home for the last 8 years in berlins kreuzberg district. the reduced tempo and warm melancholic strings are an audible representation of looking through watergates glass walls out upon the river during the wee hours of a saturday morning. wrapping up the ep, is the after-hour anthem collaboration between lee and daniel dreier, >lullaby<. the perfect track to hum on your sunday morning stumble home.

the first edition of the unirhythm green series. two brand new, smooth as ice tracks from the motor city madman marcellus pittman. the a-side is >tom remix<, a dynamic dj tool that will keep the heads bouncing in the club. the b-side, >if the earth could talk<, is equal parts deep and dubby, but still has that lo-fi detroit grit in the sound. this is a record that will stick around in many djs crates for a long time. this record is the first of a series of collaborations between unirhythm and fit.

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

this is the first single from dops rollicking greatest hits album is your personal teleportation device into their unique musical universe located in a parallel dimension somewhere between the disco and the drunk tank.

the kid is back with silver island, an ambitious record that effortlessly manages to straddle the divide between the club and the house and confirms surkins mastery of dancefloor excitement (fan out), showcases a new take on swagger-heavy piano house (easy action) and unveils a new melodic direction (silver island). surkin is currently working on his first album, scheduled for fall 2010. detroit and chicago house luminaries ann saunderson and kevin irving are confirmed guests.

short about the label: a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut, just the way we like it. fernando pulichino should be a familiar name to you, either as part of 2020 soundsystem or maybe his recent cover version of bauhaus >kick in the eye< on redux? anyway, we cherry picked 2 of his tracks, one for the peaktime and one for the good times.

a hot, new, exciting project: fist or finger, a collaboration between like minded souls jozif goodman and craig richards. this is fist or finger volume one, which features an original track by jozif and a reinterpretation by craig richards on the flip. this is the format that the forthcoming releases will take. jozifs original >beat in space< is monster of a tune. a heavy ass, bass driven slice of sinister analogue space funk, complete with dark, ominous stabs, enchanting tripped out breakdown, creaking doors and beats fit for a king…>watch yer bassbins im telling ya, we got beats in space<. fans of jamie jones, jesse rose, pezzner and robert james will adore this, proper future funk

numbers follow up the instant sell out that was redinhos bare blips with this red hot collaboration between two of the most exciting producers around just now - roska and untold. collaborations of this sort have a tendency to be a little bit underwhelming but on myth and long range the two producers have dug deep to come up with a perfect marriage of each others styles. this is house music as it should be - fresh, exciting, raw and banging. untolds grimey sub fit perfectly with roskas syncopated drums and the wailing horns on myth are gonna be stuck in your brain for days. one of the most exciting records around at the moment, dont sleep on it.

beretta grey proudly brings to you the >finite ep< by the talented new producer hailing from san francisco, christina chatfield. christina chatfield was raised in a family of classical musicians, geographically and culturally located between the warm jacking beats of chicago house and cool soulful stabs of detroit techno. espousing her genetically rooted appreciation for music, christina attended the berklee college of music in boston where she quickly absorbed every detail of electronic synthesis and began her analog hardware and studio gear addiction. with the >finite ep< on beretta grey, christina has created two timeless pieces of music that are sure to please intelligent dance floor goers around the planet.

hailing from the puglia region of italy, music is a mission for andrea forito, and clubbing a way of life. a dj since 1994, and picking up the production reins in 2000, his own work has stalked out the space between propulsive minimal and expressive detroit techno, while always sticking close to what has inspired and guided him from the beginning: true house music

first sampler, taken from helixirs 3x12 album >undivided< comes with a remix by mille. a tripped-out excursion into wide open soundscapes between dub-techno and dubstep.

cutz 3 features two youandme edits of lawrence vs.seth troxler and mod.civil.you will find on side a the edit of >cold flowers< from mod.civil which was original published on the german ortloff label (uwe01).>miles in aphrika< on side b is really simple but full of emotions and thats the most important thing of music. this track is a clash between lawrence - >miles<(dial 043) and seth troxler - aphrika(wolf + lamb 02).

kondens is a collaboration between swedish electronic music veterans andreas tilliander (mille plateaux/force inc, raster-noton and repeatle) and stefan thor aka folie (mitek). the sound is a hybrid of techy dubstep with a twist and banging dub-influenced techno. pure peak time bliss without losing the love for dub and tape delays. the vinyl debut, first cut ep, includes a stunning deep techno remix signed norman nodge.

curly project is a project created at the end of 2007 between giacomo ziani and jacopo vendramin, two venetians guys borned in 1987. growed up as techno-minimal djs, with performances in some of the best clubs of their area, today their dj-sets and also their productions are more melodic and influenced by the house culture, with contaminations from different genres such as jazz, rock&roll, classical and ethnical music. perfect for their debut on workbench !!!

four more explosive disco funk action gems to fill your dancefloor from a collaboration between texas finest exponents of funk and in flagranti with volume 4 of the series. >the insatiable tiger woods ep< as a nod to the sex addicted us golfer who allegedly likes a spot of disco dancing at the weekends. a brag mount is an infectious disco gem of such magnitude that girls will rush onto the dance floor with wild abandon. mishaps with chocolate is a cheeky and hooky bullet and theres no let up on the flipside as this value for money 4 tracker aims to prove with brass n bass led disco boogie. another essential vinyl item for your record box and another summer scorcher from the killer funk label stable !

inspired by the stripped back technical set-ups of yesteryear, mike monday and will saul present the sequence 1 ep, the product of the two artists limiting themselves to a roland 909, a korg kaos pad, a dave smith polyevolver and recording their jamming on the fly. >we wanted to inject some excitement, energy and randomness into this release, so decided to play the tracks live with mike on the 909 and keys and will on filters and effects. we had a broad idea of where we were going before we pressed record, and recorded a few takes of each track, then took the best moments from each. the big challenge was reining in the slightly chaotic recordings, but after some tweaking we found a balance between old school rawness and modern production values.<

fresh relreleased ... phat funky techno / techhouse action kitchen studio 3 is a small, newborn techno/electronica label, founded on the friendship between pezzo, adaig and bettyboop and their deep passion for electronic music and club life.

joint venture between the because, edbanger and warp labels, and what a result. killer new effort from squarepusher on the jazz-funk-electro tip, on a side cryptic motion, the perfect soundtrack for a remake of zabriskie point in 2012, heavy bass that slaps your flesh and some sunset vocoder. mr oizo on the b side for an epileptic straight to the head p-funk remix only him can twist that way. limited quantities, so be quick or be sorry!

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

new 4 track disco 12 from stones throws dam-funk! featuring mc eiht on the title track, legend steve arrington from slave on >at my homies<, one jt donaldson & tim k produced track, and the instrumental come on outside, produced by devonwho (all city/fat city)!

ltd 2010 repress !!! the second new jisco after a two year hiatus is the split between the revenge and 6th burough project. on the a-side >cadillac< is a stellar re-edit of hot chocolates >heaven is in the back seat of my cadillac< done in the usual jisco-slo-mo style. on the flip 6th burough project push things up a notch tempo-wise with a super-funky workout that just keeps building ending up in theo/moodymann territory. excellent stuff

the wise-woman clarissa is a figment escaped from the imaginations of andreaferlin and matteo spedicati. from her home at the very edge of the world, clarissa is master and maker of psycedelic rituals, orgiastic ceremonies and liberating chants. according to tradition, the encounter between the hazel duo occurs in the sand amongstthe looping, grooving sounds of a nearby dancefloor where music of such strong forces,sometimes tribal, sometimes psychedelic, compelling mortals into a gruelling dance thatfrees them evermore from sleep. first ep on sleep is commercial for clarissa hazel duo. face also sign the first appereance on sic of our friend ues.

special release alert! gene hooked us up with three tracks he producedd as a teenager, together with ron hardy. rons untimely death in 1991 prevented the tracks from be released at the time. these tracks were made during various sessions at genes studio, when ron had time in between his gigs. raw, original chicago house music from the late 80s! comes with special artwork featuring an original late 80s flyer

part 3 in the voyeurhythm series! retro futuristic house tracks by ben sun and monte carlo interchange. ben delivers a great track that builds around a sweet frankie knuckles kind of bassline and sexy ny proto house percussion, topped with lush piano and vocal samples 1992 rippin old disco records style. heavy hitter! flip side is a spaced out slomo cosmic house jam with a big bass line which goes between a classic 90s carl craig and a late 80s chicago house bassline ... sweeet! another cool release from these kind australian folks!

seattle/san francisco based techno label, from 0-1, drops a smashing mini-compilation for their debut vinyl release just in time for the dog days of summer. headlining this effort is >hethradia<, the very first collaboration between techno veteran bryan zentz and somas golden boy, lets go outside. >hethradia< is a sparse, heady effort set atop a sine wave-engorged bassline rivaling californias biggest swells. acid drenched bells and synths chime in from another dimension to round off an effort that stands to be emblematic of both producers more adventurous workings.

reyf (aka suedmilch) & eidner collaborate with some real musicans to discover the boarders of jazz, dub, house and techno and make their own smokey interpretations.

immaculate expansive night music. written and recorded between hungry ghosts studios in west london and a remote kent shed the attention to gear on both tracks is really rather special. the view is from above, the lights... are they on? there is life underground: these shall not last long.

collaboration between swedish techno producers nihad tule & nima khak, bangin underground dark techno

great 1985 synth-pop / new wave album by abc. b-stock items, because cover with incision (as you can see on the cover pic - b side)

the musique d hiver pour l ete is all about warm instrumentation with a special emphasis on an intentional lo-fi production. it might even be a statement in an age of digitalism and overproduction. it rides the line between romantic techno and sultry disco!

to share and to increase the love, to let the soul speak through the music, is a feeling which can hardly be described with words. with ôloving , i want to embrace the whole world, because this journey to the origins of electronic dance music in between modern detroit, high tech soul and house is coming from the very bottom of my heart.ö (johannes heil, 2010)

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

in classical geometry, the triangle is the simplest polygon. the one which can be used to construct all other polygons. the root of them all. three points define a plane in space. thus resulting in the phenomenon that a tripod always has a safe and solid stand. three musicians teamed up to produce the triangle peul. in addition to the well known mr raoul k rollercoaster ride through moods from contemplation to euphoria, producing as part of a team adds a new dimension of dialog to his work. itÆs no longer just the communication between him and the audience, this time the communication that happened during the production process shines through. the fun, the deep concentration and the energy that everyone felt and committed is recognisable for the audience with ease. unsurprisingly, the triangle peul comes in three different mixes including a drum laden beatstramental for those who still like to mix.

sorgenkint is back! tracks between harder techno and acid -- back to rave

keith tucker is also known as k-1 and for releases on direct beat and puzzlebox. here he delivers a 3 track ep that is in between straight up electro and classic detroit techno stuff. very nice and warm melodies and mysterious female vocals.

after his >true emotions ep< and the marco bailey >muzik<-remix, mb elektronics invited davy dee back to hit us with another slamming release.
starting off with the perfect combination between house and techno: >the yellow screen< twists and turns. make sure to listen all 6 minutes of it because the end is not as you would expect. a splendid remix from kaiserdisco brings a more minimal feel to the track but keep enough of the splendid original version to remain groovy.
the flipside track >sweet violence< has many great sounds, striking bass-lines and gives you that vintage warehouse-techno feeling.
what better way to start your summer!

in 2009 a series of five anonymously produced ink stamped vinyl recorded releases appeared in the global techno scene under the mysterious guise traversable wormhole. the series released exclusively on vinyl. the sound of traversable wormhole is a unique signature of sci-fi laden techno music with gaps of time, space & bass in between sound & rhythm.

espania fast becoming the techno capital of europe! slight exageration perhaps, but maybe those days won t be too far away. the transhuman label bursts onto the scene with a very impressive 5 track ep from arcanoid and the transhumans. from the off, the label plants is flag slap bang in the middle between detroit and berlin, which geographically may be somewhere in the mid atlantic, but musically, you ll probably know what we mean. check postindustrial for a killer slice of techno the likes of which robert hood could be making these days

another sureshot of edits with one side between slo house and balearic, while the flip is a bass-led, percussive disco monster. check!